There’s nothing like hearing a damn fine slow blues, especially when it features Eric Clapton and a stellar rhythm section. Listen: iTunes | Amazon MP3 “Have You Heard” (John Mayall & the Bluesbreakers: Blues Breakers With Eric Clapton) While it sounds like a musical tongue twister, it makes absolute sense from a harmonic standpoint, clearly outlining the minor tonality of the verses and then brightening up the song by featuring the major tonality in the chorus. McVie executes a bass line with the power of a moving train it propels the song with a feeling of constant and unyielding motion that leads the band to a destination brought on by intrigue and mystery. Most of the 1970’s hits feature a “McVie hook,” from the dark and mysterious groove during the outro of “The Chain” to the energetic yet distinctive bass line during the chorus of “Say You Love Me.” Where Can I Hear Him? “Rhiannon” (Fleetwood Mac: Fleetwood Mac) He has the unique ability to create simple, yet catchy hooks that not only capture the listener’s attention but also remain fresh despite repetition. McVie excels at functionality, especially when that involves committing to a deep and authoritative single note, a consistent pedal, or a specifically crafted bass line. From his early years with John Mayall to his longstanding role in Fleetwood Mac, he has always excelled at being a “part” player, whether that happens to be a specific pattern to hold down a blues progression or a well-crafted melodic bass line that highlights a moment of a pop song.
McVie is a creative and mature player who understands the need for musical foundation, patience, and simplicity. I like to think that behind every great pop/rock group of the 1970’s is a great blues bass player from the 1960’s. In the meantime, McVie also recorded with Warren Zevon, put out his solo project “John McVie’s Gotta Band” (1992), and has been inducted to the Rock and Roll Hall of Fame. Fleetwood Mac continued to tour and record through the 1980s and 1990s, despite various personnel changes and hiatuses.
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In the meantime, McVie and Perfects’ marriage disintegrated and his battle with alcoholism put a strain on both his private and professional life. They quickly enjoyed greater success with the self-titled Fleetwood Mac (1975) and Rumours (1977). Throughout the 1970’s, Fleetwood Mac released multiple records and underwent a few personnel changes before taking on a new identity with the addition of songwriting duo Lindsey Buckingham and Stevie Nicks. McVie left Mayall’s band in 1967 and joined the newly formed British blues band “Fleetwood Mac.” After recording their first record, McVie met blues pianist Christine Perfect of the band Chicken Shack the two married six months later and Christine officially joined the band. During his tenure in the band, he played alongside Eric Clapton and future band members Mick Fleetwood and Peter Green. In 1963, he joined John Mayall and the Bluesbreakers. Inspired by popular blues and jazz in the late 1950s, he began playing club dates with local bands and later held down a job as a tax inspector.
He began playing trumpet at a young age and made the switch to bass as a teenager. McVie grew up in Ealing, West London during an active and exciting time for rock and blues music.
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